01
Cutting and rebuilding
The project began with wooden parts from an old opera stage. They were cut, reassembled, and given another life as the walls of an interactive sculpture.
Earlier project · Tempelhofer Feld
WaMüLage
An interactive sculpture where discarded material became a public sign against war.
A public sculpture that asked visitors to become part of the work.
WaMüLage was one of the collective’s earlier experiments with rubbish, participation, and public space. Wood that once belonged to an opera stage was cut, rebuilt, painted white, and transformed into a large sign carrying the message STOP WARS.
On Tempelhofer Feld, the work became interactive. Visitors were invited to attach found rubbish to the sculpture, turning the object into a growing collective statement. The gesture already points toward ALLESANDERSSTADT: discarded material is not hidden, but becomes a shared language for protest, care, and transformation.
Construction · 5 images
From opera stage wood to public sculpture.
The structure was assembled by hand from reused wooden parts. Its rough material history remains visible beneath the white surface and red lettering.
02
Painting the sign
The white surface turns the reused construction into a visible public sign. The red STOP WARS lettering brings the message to the front while the handmade structure remains deliberately present.
Installation · 3 images
Tempelhofer Feld becomes the place of activation.
The sculpture invited visitors to attach rubbish to the work and physically contribute to the anti war sign.
03
A collective gesture
The instruction made participation simple: collect rubbish, attach it to the sculpture, and let the work grow through shared action. The public did not only look at the object; they changed it.
